This piece was a wallpaper and textile design that was inspired by the historical design principles from the Arts and Crafts Movement and attempts to combine them with contemporary design and embroidery techniques. The work is inspired primarily by the designs of William Morris, whose use of color, repeat patterns, and botanical motifs became foundational to the movement. Morris’s focus on handcrafted details and his incorporation of natural elements such as flowers and insects are key influences that are echoed in the conceptualization of this piece.
I had the initial idea for this piece after an arranged visit to The Knoll, a Grade II listed Edwardian building located within the Botanical Gardens in Oadby. Built in 1907, The Knoll is notable for its well-preserved interior, which features elaborate decorative motifs that include floral, bee, butterfly, and animal details. These elements were photographed in situ, providing the visual reference for the artwork. The house’s untouched, Arts and Crafts design, which reflects the ornate style of the early 20th century, served as a critical source of inspiration.
The initial design for this piece was painted in watercolour, using photographic reference gathered from the gardens and house. The design was painted as separate visual elements meaning that I was able to rearrange the layout of my repeating pattern, in order to see what worked best, and make adjusts and changes accordingly. The piece was printed both on paper, with the intention of being used as a wallpaper, and on fabric, which was subsequently embroidered using 3D embroidery techniques.
I made use of a variety of techniques, including 3D embroidery, stumpwork, beading, and freehand machine embroidery. These methods were chosen for their ability to create depth and texture, in order to evoke a sense of the lavishness and attention to detail frequently seen in Edwardian decorative arts. The use of 3D embroidery and stumpwork, in particular, allows for the botanical motifs to emerge from the surface of the fabric, adding a life-like quality that enhances the tactile experience of the piece.
I intended for this piece to be a study in how historical design can be combined with contemporary textile practices. It also highlights the enduring influence of the Arts and Crafts Movement—particularly its emphasis on nature and craftsmanship.
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